周年纪念日
戴安·琳恩,凯尔·钱德勒,玛德琳·布鲁尔,佐伊·达奇,菲比·黛内芙,麦肯娜·格瑞丝,达利尔·麦克科马克,迪伦·奥布莱恩,Rose O'Neill,保罗·泰来克,Rebecca O'Mara,Jolly Abraham,Tom Leavey,Chloe Harris,Maya O'Shea,Mahito Indi Henderson,维丽蒂·海耶斯,塞尔达·卡亚,Derek Wall,Mike Hondro
戴安·琳恩,凯尔·钱德勒,玛德琳·布鲁尔,佐伊·达奇,菲比·黛内芙,麦肯娜·格瑞丝,达利尔·麦克科马克,迪伦·奥布莱恩,Rose O'Neill,保罗·泰来克,Rebecca O'Mara,Jolly Abraham,Tom Leavey,Chloe Harris,Maya O'Shea,Mahito Indi Henderson,维丽蒂·海耶斯,塞尔达·卡亚,Derek Wall,Mike Hondro
泷泽秀明,有冈大贵,门胁麦
科尔·豪瑟,摩根·弗里曼,Murielle Hilaire,Vernon Davis
Ron Perlman,Saffron Burrows
安努舒卡·莎玛,帕拉姆巴拉塔·查特吉,拉贾特·卡普尔,Ritabhari Chakraborty,Dibyendu Bhattacharya
埃托雷·斯科拉
姜帝圭
吴贻弓
乔治卢卡斯
尹锡湖
贝尔纳多·贝尔托鲁奇
昆廷·塔伦蒂诺
何平
演员龟冈拓次(安田显),37岁、单身。作为演员,无论是配角还是什么角色都能出色演出,但是,人们却怎么也记住不到他的名字。每一天的日常就是便宜的酒馆里喝酒。直到有一天,收到了世界大物的甄选……
当真相铺天盖地而来,令人根本无法接受的时候,吉尔比发现自己早已陷入了一个错综复杂的谎言网无法脱身。当真相铺天盖地而来,令人根本无法接受的时候,吉尔比发现自己早已陷入了一个错综复杂的谎言网无法脱身。
2003年,福冈市的一所市立小学,发生了一起老师欺凌学生的恶性事件。一名男性教师以种族歧视为由,对“有美国人血统”的四年级学生处处找碴,施行恶毒的语言暴力和残酷的体罚。该学生的家长对教师提起民事诉讼,550名律师自发组成原告律师团。福冈市教育委员会也对教师做出了停职处罚。行为如此恶劣的教师堪称罕见,经《周刊文春》《朝日新闻》等主流媒体报导,引起轩然大波,涉案教师被冠上“史上最恶劣的‘杀人教师’”的名号;但欺凌事件真的发生了吗?随着调查的深入,事件发生了惊人的逆转…… 影片改编自记者福田真澄2007年出版的一本书,名为《捏造:福冈“杀人老师”的真相》。
电话公司里有四位全栋大厦闻名的“猪扒”:患罕见脱发症导致头发稀疏的阿Mo(李嘉欣 饰)、荷尔蒙过剩的保安主管苏眉(莫文蔚 饰)、脸上有大块恶心胎记的计算机部员工“态猫”(林熙蕾 饰)、哨牙蒙眼的秘书阿刨(关秀媚 饰)。四个“猪扒”在公司虽然工作努力,但因样子问题经常遭到宣传部主管“妖姬”嘲笑和排挤,四人敢怒不敢言,直到一天公司因经济不景气四人同时遭到了解雇。公司设计师春春(陈小春 饰)可怜四人的遭遇,与细龟和阿伦想出了一条别出心裁的妙计,帮助四人筹款整容。春春的妙计能否凑效,四位“猪扒”又能否咸鱼翻身?
故事发生在2050年,蓝小玮是一个研究员,她研发了“零接触”的技术--通过佩戴特殊的头盔,将两个人的脑电波连接起来实现梦境的连接。这天,一个便衣警探余警官找到研究所,要求小玮使用零接触的技术帮他侦破一个极为棘手的案件。小玮觉得这案件跟母亲的昏迷案件有关,尽管知道危险,还是不听父亲的阻止,接受这个任务了。小玮通过网络连接的方式进入昏迷者易田的梦境,随后捣蛋的余警官也偷偷尾随而来,两人在这个奇怪的世界跌跌撞撞,搞笑百出,也危险重重,两人配合警探父亲,终于找到真凶竟然就是实验室的研究员,至此故事告一段落。
一对年轻夫妇准备烧毁洛杉矶最热门迪厅的舞池,结果召唤出一股渴望未出世婴儿的黑暗力量
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
凯特·卡普肖,莉·汤普森,凯利·普雷斯顿,拉里·B·斯科特,华金·菲尼克斯,泰特·多诺万,汤姆·斯凯里特,巴里·普赖默斯
洪冰瑶,李鹤楠,于洛熙,葛天,王炳乔,刘惠,陈招,阿肯,周剑飞,管贞喧,美伊,安龙,Milano,毛秀婷,毛秀玲,齐冰,马驰,王启蘅,金韬,赵寅辰,宋曌晗,侯雪艳,殷晓维,何然,祁建国,张天宇,肖磊,萌宝宝,侯耀华,腾奎兴,郭忆然,赵英龙,钟小丹,杜邱,马满,王虹,黄静,卢晓倩,李雪,王子彤,刘芯嘉,蔡姿利,张汐,陈志颖,陈婉仪,灵药,殷若曦,雪千琪,魏鹏,杨铮,慕岩,史蒂文·达兹,侯晶皓,牛中华,常峰辉,王朋朋,潘靖康,柏树森,潘臣,汪齐,葛亮,张雪峰
Juan Karlos Labajo,JC·桑托斯,RK Bagatsing,Jaime García Herranz
高倉健,藤純子,池部良,津川雅彦,曽根晴美,山城新伍,牧紀子,萩玲子
中村优一,小林凉子
长濑智也,藤冈靛,高桥一生,深田恭子,岸部一德,笹野高史,寺胁康文,小池荣子,阿部显岚,中村苍,室毅,柄本明,佐佐木藏之介,升毅,谷村美月
黄冠智,雷嘉汭,刘子铨,曾莞婷,黄腾浩,柯叔元,于子育,席惟伦
Danielle Lilley,Brandon Kyle Peters,Christopher de Padua